“As far as I know, there is still more stuff to be adapted, as the novels kept going (and keep going, I think?), but seeing how this entry had a fitting ending with no loose ends, I don’t think that seeing more is really necessary, and I’m not the only one it seems, seeing that nothing else of it was released for five years now.”

This is something that I wrote on my last Monogatari anime review, published on September last year, and then on December I finished and reviewed the manga. Meaning, I called this continuation to existence and every Monogatari fan out there owe it to me.

Jokes aside, this is a hard entry to judge, as it adapts two novels and one of them consists of lots of mini stories in an anthology-like manner. Yet the series does a good job in building and maintaining a continuity between them, and they also build themselves from previous events and character interactions, so it’s fine.

For half of the show the focus switches from Koyomi to the girls, which is good for giving them spotlight and continuing to flesh them out.

The first story about Tsukihi is mostly silly and about pretending, but it is also interesting for what it means, and to see Ononoki trying to keep doing her mission. Another nice detail is how the episode forms a sort of narrative loop with something so silly as eating ice cream. But the best things is how it uses previous events and apparitions in it, and how it builds up the following events with Ononoki and Nadeko.

There are questionable things in its writing, which Ononoki tries to excuse as not being much as she fucking up but rather all result of Tsukihi’s apparition. That could be considered bad or genius writing depending of how picky or casual you are, for me it was just ok.

The bad part is how Ononoki can’t notice the most logical things throughout the episode, and is another character the one that has to resolve the problem appearing out of nowhere. Also amnesia and a comical loop.

After that it comes an arc about Nadeko where they try to solve an issue looking for an easy way out, and it backfires, so there’s the good message in there. It also serves to flesh out her by having her both metaphorically and literally confronting and coming to with her past self, in different variants, and struggling as an artist and being pressured by her parents and time, now as a teenager.

And the best part is how she had to solve the problem almost completely by herself, and how there wasn’t any perverted content in it, and even the slightly more explicit stuff that you could count as such served the narrative, so it’s not fanservice. Overall I consider it to be one of the best arcs I’ve seen from the franchise.

Time seems to be an important topic in the “Off” part of the season, almost as it telling that a certain time is already off and it moved to a new one, or that characters are running out of time.

Not trying to overthink it, but visually the directing regularly matches an object or Ononoki spinning around more than usual while talking about trying to take advantage of time, with following shots of clocks running, so that brought the thought to my mind.

Speaking of visuals, this entry keeps the usual standard of the franchise, which is of course very high. The new designs for the characters are nice, the special effects with little CGI and the backgrounds are still trippy and dynamic to look at. The occasional changes in style are there although not as prominent. The occasional texts are no longer ages from the light novels and are not as long nor as quick, so they are easier to see and read. And the directing has something happening all the time to make up for the occasional lack of motion, which is in fact less than in previous installments, despite having less stuff happening in it.

What’s new is the lack of fanservice, perhaps because the entry isn’t a harem but since I always bitch about the ecchi, I was very pleased with this change. Also, since Nadeko is an important character, lots of moments implement sheets and manga as part of the visuals, and bookshelves used for stairs-like transitions, very creative. There is also some occasional live action footage for the backgrounds as well.

The sound remains the same, good sound effects, very good voice acting, the soundtrack didn’t impress me, the visuals and the lyrics of the ending are good but the song is a very happy pop tune of which I’m not fan of, and the background music sounds like synthwave. Not that I’m complaining, I like to listen to the genre from time to time, but it is still as unremarkable as the soundtrack of the franchise always was for me. The opening is a reference/update of that famous Nadeko opening that most people seem to like, so it was fine for what the arc goes for thematically.

The next arc is the short origin story of Kiss Shot, showing how some of her traits came to be, such as her name, way of speaking and laughing, and how she became a vampire. The story itself is like a classic dark fairy tale, and it perfectly represents the idea of how naming conventions determine so many characteristics of the supernatural creatures in this world and franchise.

At the same time, despite having a serious tone, the conflict feels very first world problem to me, and the characters don’t seem to take it that seriously for me to care. Plus when you think about it, it makes it seem like Kiss Shot never showed her real personality in the franchise in retrospect, but at least gave more meaning to some of her speech patterns during silly moments. Speaking of silly moments, that’s what the logic of the characters and the naming conventions in the arc were like to me.

Oh, and it builds upon previously shown information in Zoku Owarimonogatari, which I didn’t bother to review because I found very little to say about it besides it being a what if fanservice story that is even practically erased by the end of it so what’s the point?

Overall I found it to be a very unnecessary and mediocre arc that didn’t add nothing of interest. At least visually it was pretty great. It suffers from lacking motion but makes up for it with painting like illustrations, gothic aesthetics reminiscent of Castlevania or Shinbo’s earlier works like Le Portrait de Petit Cosette, a special short intro that was like a shadow play with even set pieces simulating an actual theater, though I think the whole thing was made in CGI, but still looked very cool.

Heck, even the scenes were separated in acts like in an actual play. And although there was no opening, the music was pretty immersive, except for the ending which remained the same as before and didn’t really fit one bit.

The next arc goes back to present time yet builds up right from the end of the previous one as it has Suicide Master meddling in Japan and being part of several attacks towards girls from the Naoetsu school.

In this arc Koyomi goes back to being the protagonist and the whole thing is once again played out as a mystery of sorts, plus it builds up good reasons for having several characters being involved in the conflict and having a specific role in it.

Unlike the previous arcs, the tone goes back to being somewhat humorous as it was the case with previous entries, but at least there is still absence of fanservice, so I don’t complain.

Even the aesthetics are closer to what the franchise has shown before the rest of this entry, both in visual presentation and music. But I have to praise the opening for going back to the ones you would expect from one about Shinobu, and for that jazzy theme. She always gets the best openings it seems.

What I don’t fancy much, was the conclusion. For such a big deal that the reunion between the two vampires seemed to be, it felt lacking to me, even when I understand their laughs now.

Also although the reasoning of the main characters to find out the villain seemed fine, I don’t think there was enough information or build up to how she got to know about them, and the villain herself was just an edgy, nihilistic, suicidal teenager that got defeated with one hit before not really feeling that she actually learned her lesson. Overall it was a fine arc but with a bit of a lacking resolution.

As a whole I found it to be an ok addition to the franchise, mostly for the aesthetics, the lack of fanservice, the girls being looked into without Araragi around, and for the Nadeko arc. But I want to be clear, if that arc wasn’t here, I would have considered the season to be overall mediocre.