Episode: Hirogaru Sky! Precure - 20 - The First Step Towards Mashiro`s Dream y4o4m
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Ogawa Kouji
Info 6o169
- Info
- Titles
| Main Title | The First Step Towards Mashiro`s Dream (e266602) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
Ageha’s co-worker and art school student Natsumi suggests that Mashiro enters the “Everyone’s Picture Book” contest. Sora and the gang encourage her, and she decides to try making a picture book.
Source: crunchyroll
Source: crunchyroll
Airing Schedule i622o
- Cast
- Staff
- collapse pane
Cast 313p6x
main character 6lp47
episode appearance appears in ep: 18-50
episode appearance appears in ep: 4-50
female, bloodtype: AB, very long hairVery long hair is hair from (and including) waist-length hair or longer.
voiced by: Kakuma Ai
episode appearance appears in ep: 1-50
episode appearance appears in ep: 9-12, 14-50
voiced by: Murase Ayumu
episode appearance appears in ep: 4, 6, 8-9, 11-13, 16-48, 50
voiced by: Nanase Ayaka
episode appearance appears in ep: 1-48, 50
female, bloodtype: AB, green eyesThe character has green eyes.
voiced by: Kakuma Ai
episode appearance appears in ep: 1-48, 50
voiced by: Sekine Akira
episode appearance appears in ep: 8-48, 50
voiced by: Murase Ayumu
secondary cast 5p435a
episode appearance appears in ep: 14-23, 34-35, 39, 41, 43, 48, 50
episode appearance appears in ep: 2-8, 10, 12-14, 16-24, 26-27, 31, 33, 35-43, 46-48, 50
voiced by: Shiota Tomoko
appears 3a4a5j
staff 3g1a6i
| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Prop Design (プロップデザイン) | Haruyama Kazunori | ||
| Masui Hidemitsu | |||
| Music Selection (選曲) | Mizuno Sayaka | Swara Production (スワラ・プロ) | |
| Music Assistance (音楽協力) | Toei Animation Ongaku Shuppan | ||
| Sound Work (音響制作) | TAVAC | ||
| Sound Effects (音響効果) | Ishino Takahisa | Chura Sound (ちゅらサウンド) | |
| Editing (編集) | Asou Yoshihiro | ||
| Photographic Direction (撮影監督) | Igarashi Shin`ichi | ||
| CG Direction (CGディレクター) | Takahashi Tomohiko | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | |
| Assistant Producer (プロデューサー補) | Funakoshi Yuuko | 14-50 | |
| Nishimura Mainari | ABC animation |
| Script/Screenplay (脚本) | Itou Mutsumi | 16, 20, 24, 27, 36, 40, 46 | |
| Storyboard (絵コンテ) | Shimizu Junji | 6, 20 | |
| Episode Direction (演出) | Shimizu Junji | 20 | |
| Assistant Episode Direction (演出助手) | Watanabe Tomoki | 4, 11, 16, 20, 26, 31, 35, 40, 45 | |
| Animation Direction (作画監督) | Aoyama Mitsuru | 3, 11, 20, 29, 38, 47 | |
| Key Animation (原画) | Aoyama Mitsuru | 3, 8, 11, 20, 29, 38, 44, 47 | |
| Hieda Takaki | 5, 9, 12, 20, 28, 32, 35, 47, 50 | ||
| In-Between Animation Inspection (動画検査) | Kajioka Tomoo | 1, 3, 5, 7, 9, 12, 15, 17, 19-24, 26, 29-30, 32-34, 36, 38, 40-42, 44, 46, 48, 50 | |
| 張逸暉 | 2, 4, 6, 8, 11, 14, 16, 18, 20, 25, 28, 31, 33, 35, 37, 39, 41, 43, 45, 47, 49 | ||
| In-Between Animation (動画) | Toei Animation Philippines | 1-9, 11-12, 14-26, 28-50 | |
| Colour Specification (色指定) | Sakuma Yoshiko | 2, 6, 11, 16, 20, 24, 26, 29, 32, 35, 37, 40, 43, 46, 49 | |
| Digital Colouring (デジタル彩色) | Toei Animation Philippines | 1-9, 11-12, 14-26, 28-50 | |
| Finishing/Clean-up Inspection (検査) | Sakuma Yoshiko | 2, 6, 11, 16, 20, 24, 26, 29, 32, 35, 37, 40, 43, 46, 49 | |
| Finishing/Clean-up Manager (仕上進行) | 門田一 | 1, 3-4, 6-7, 9, 12, 15-18, 20, 22, 24, 26, 29-34, 36, 38, 40, 42-44, 46, 48, 50 | |
| Art (美術) | Xu Zhuxing | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | |
| Art Manager (美術進行) | Ojiri Kenta | 10, 12, 14, 16, 18, 20, 22, 24, 26, 28, 30, 32, 34, 36, 38, 40, 42, 44, 46, 48, 50 | |
| Digital Art (デジタルアーティスト) | Ebisawa Taiki | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | |
| Machida Masaya | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| Masuda Jun`ya | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| Mukai Takumi | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| キム・パンテ | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| ダリル・パドゥア | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| ディンド・タグバシ | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| ナルシーソ・タグロス | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| ニコロ・アルカラ | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| マンリコ・サエス | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| 熊洞明日香 | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| 竹西誠 | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| 野原香澄 | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| 長谷見直季 | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | ||
| Background Art (背景) | Kadoguchi Aya | 1-5, 7-8, 13, 15, 18-22, 25-26, 28-33, 35-37, 39-45, 47-50 | |
| DRAGON ART | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | ||
| Huang Xiuyong | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | ||
| Lee Beom-Seon | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | ||
| Murata Momona | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | ||
| Suzuki Yayoi | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | ||
| 朴吉用 | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | ||
| 株式会社凡 | 4, 8, 12, 16, 20, 24, 28, 32, 36, 40, 44, 48 | ||
| 武田なつき | 6, 20 | ||
| Special Effects (デジタル特殊効果) | Katsuoka Toshio | 1-50 | |
| Digital Photography (デジタル撮影) | 山口竜也 | 5-46 | |
| Anzai Yoshiyuki | 5-50 | ||
| Kawai Mayu | 5-50 | ||
| 勝本孝介 | 5-50 | ||
| Fukui Michiko | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Ishikawa Haruhiko | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Ogata Misako | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Oonishi Kougo | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Sako Hiroyuki | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Sankou Production | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Shiratori Tomokazu | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Yamaguchi Hiromu | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Yoshino Kazuhiro | 11, 16, 20, 24, 27, 30, 34, 39, 43, 46 | ||
| Script Assistance (スクリプト協力) | Arai Takumi | 5-50 | |
| Photography Assistance (撮影協力) | Wada Naoyuki | 1-50 | |
| Ooshima Yuki | 2-50 | ||
| CG Work Assistance (CG制作協力) | Stimulus Image | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | |
| CG Manager (CG進行) | Watanabe Hiroyuki | 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50 | |
| Texture (2Dテクスチャ) | Matsuda Ryouhei | 1-50 | |
| Online Editing (オンライン編集) | Toei Digital Lab | 1-50 | |
| Koyama Masashi | 1-4, 6, 8-9, 11-50 | ||
| Recording (記録) | Kajimoto Minori | 1, 3, 20-21, 26-33, 37, 48 | |
| Recording (録音) | Hayashi Naomi | 1-50 | |
| Recording Assistant (録音助手) | 宇都奈菜実 | 1-50 | |
| Recording Studio (録音スタジオ) | Toei Digital Center | 1-50 | |
| Casting (キャスティング) | 松山守美 | 1-50 | |
| Publicity (宣伝) | 森田葉純 | 1-26 | ADK |
| Yoshida Minoru | 1-50 | ||
| 喜多ゆかり | 1-50 | ABC TV | |
| 大島ふみ | 1-50 | ADK | |
| 本吉裕介 | 1-50 | ||
| 竹内一平 | 1-50 | ABC TV | |
| 露木志保 | 1-50 | ||
| Design Manager (設定製作) | 森田翔子 | 2-50 | |
| Production Desk (製作デスク) | 直田宏隆 | 7-50 | |
| Assistant Production Manager (製作進行) | Hyeon-woo Park | 16, 20, 25, 29, 33, 39, 45 | |
| Assistance/Cooperation (協力) | Plex | 1-50 | |
| Toei Tokyo Satsueijo | 1-50 |
